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Sitaram · Site Admin Joined: 14 Sep 2005 Posts: 1079

Lawrence Durrell Links

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"You have two birth-places. You have the place where you were really
born and then you have a place of predilection where you really wake up
to reality." Lawrence Durrell-- Blue Thirst

Lawrence Durrell (1912-1990) was one of the greatest novelists of the
twentieth century. He called his most famous work, The Alexandria
Quartet, "an investigation of modern love" and in it sought to fuse
Western notions of time and space with Eastern metaphysics. Born in
India, Durrell

lived in and celebrated the Mediterranean world, not only as a novelist but
also as an acclaimed poet, travel writer, essayist, dramatist, and
humorist.

http://www.lawrencedurrell.org/

http://www.lawrencedurrell.org/analysis.htm

Lawrence Durrell's goal in writing is to "sum up in a sort of metaphor the
cosmology of a particular moment in which we are living." He is a
metaphysical writer who, through his characters, asks philosophical
questions such as, What is the nature of reality? How does the artist
describe it in words? What is the right way to live as an artist and as a
human being?

Drawing on these childhood memories and his readings in contemporary
physics, Durrell claims that the cosmology of the mid-twentieth century
can be found in a blend of Western physics with Eastern metaphysics,
which he says "are coming to a point of continence." These notions are
explained in A Key to Modern British Poetry, which Durrell published in
1952.

In A Key to Modern British Poetry, Durrell begins by looking at Albert
Einstein and Sigmund Freud, whom he calls the two major architects of
modem Western consciousness. Einstein is significant because he
"torpedoed the old Victorian material universe" and Freud because he
"torpedoed the idea of the stable ego." The discoveries of Einstein and
Freud, occurring at nearly the same time period, unlocked the secrets of
the "universe outside man, and the universe inside." Einstein, and the
physicists who followed him, in exploring the universe outside humankind
discarded the notion that the smallest unit of matter is the particle.

They proved, instead, that "particles" sometimes are better thought of as
waves. Durrell translates this discovery into human terms: At times
people are conscious of themselves as individuals, but if they accept the
fact of the continuum that exists in the melding of time and space, then
people "may perhaps form ingredients of a single continuous stream of
life."

In Durrell's view, Freud's discovery of the universe inside humankind
parallels Einstein's investigations into the world outside. Studying hysterics
in the 1890's, Freud noticed how under hypnosis they were able to recall
painful experiences of which their waking, conscious minds were unaware.
Freud hypothesized that there was an area of the mind beyond onsciousness; he called it the unconscious, and, according to Durrell, that
is "how the idea of the splitting of the psyche first started." Durrell, like D.
H. Lawrence before him, rejected "the old stable ego of character" in
favor of characterization that is more amorphous and ambiguous. As althazar in The Alexandria Quartet says: "Each psyche is really an ant-hill
of opposing predispositions. Personality as something with fixed attributes s an illusion."

If space and time are relative and the human personality is not fixed, the cosmology of the age needs to reflect these uncertainties. The closest
equivalent philosophical system, in Durrell's view, can be found in Eastern
philosophies. According to Buddhism, once the ego stops its selfish
cravings, it enters a state of oneness with the universe. Durrell calls this
state a "field," which is the spiritual equivalent of the field concept in
physics. Durrell believes that the unity and interrelatedness of matter in
the physical world can be applied to the spiritual realm as well:

"Phenomena may be individuals carrying on separate existences in space
and time, but in the deeper reality beyond space and time we may be all
members of one body." Durrell has a name for this deeper reality; he
calls it the Heraldic Reality.

(and here is some bad press in the link as a whole)

http://www.50connect.co.uk/turner/c...ticismLD01.html

(but here is a bit of praise):

The gift of poetry is gradually sublimated in a sensual, vivacious and
self-conscious, but ultimately grand, prose style that is – no mere vehicle
– the real hero of the book, rather than Darley or Justine or the city of
Alexandria.

Quote:
Originally Posted by Clea Ch. 8
So the year turned on its heel, through a winter of racing winds, frosts
keener than grief, hardly preparing us for that last magnificent summer
which followed the spring so swiftly. It came curving in, this summer, as if
from some long-forgotten latitude first dreamed of in Eden, miraculously
rediscovered among the slumbering thoughts of mankind. It rode down
upon us like some famous snow-ship of the mind, to drop anchor before
the city, its white wings folding like the wings of a seabird. (p. 827)

Some biography and Durrell's poetry:

http://oldpoetry.com/authors/Lawrence%20Durrell

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